Beauty News

Brooklyn Museum appoints two new curators


Stephanie Sparling Williams, the Brooklyn Museum’s new curator of American Art. Photo courtesy of Brooklyn Museum

The Brooklyn Museum has appointed two new curators: Stephanie Sparling Williams has been appointed the Andrew W. Mellon Curator of American Art, and Kimberli Gant has been appointed Curator of Modern and Contemporary Art.

Sparling Williams will join the staff in December 2021. As the Andrew W. Mellon Curator of American Art, she will oversee the interpretation and presentation of one of the museum’s oldest and most celebrated collections, consisting of more than 1,400 paintings and sculptures from the colonial period through 1960 as well as more than 4,500 works on paper. 

In collaboration with the curatorial team, Sparling Williams will shepherd the museum’s mission to expand the art historical canon by highlighting underrepresented narratives, including those of Black Americans, indigenous peoples of the Americas, and women. Sparling Williams will also help to lead the Council for African American Art, with the goal of supporting the acquisition, study, conservation, and presentation of the Museum’s collection of African American art.

“I am indebted to the accomplished colleagues who came before me; particularly Terry Carbone, who reimagined and greatly expanded the American Art collection during her tenure, as well as Rujeko Hockley and Ashley James, who contributed important exhibitions that reflected the fullness of contemporary American art and cultural life,” says Sparling Williams. 

Kimberli Gant, the Brooklyn Museum’s new curator of Modern and Contemporary Art. Photo courtesy of Brooklyn Museum

Gant will join the staff in January 2022 and guide initiatives to strengthen the development, research, presentation, interpretation, and growth of the museum’s modern and contemporary art collection, with a special emphasis on the African diaspora. This new curatorial position will reinforce and enhance the Museum’s dedication to art and histories of Black and brown artists and communities through transformative engagement with exhibitions, collection installations, public programs, and collection expansion. 

“I’m thrilled to be returning to New York, particularly Brooklyn, and to be able to work at the Brooklyn Museum, an institution I’ve admired and appreciated for years,” says Gant. “I hope to add to all the amazing opportunities already occurring and am excited to work with such an incredible team of museum professionals.”

Sparling Williams and Gant will also join the team of curators for the Arts of the Americas and the Decorative Arts collections to develop a multi-year reinstallation project of the Museum’s American Art galleries, supported by the Terra Foundation for American Art and the National Endowment for the Humanities.

“Stephanie and Kimberli are exceptional additions to our curatorial team, and we’re thrilled to welcome them to the Museum. Their expertise and ambitions to bring new perspectives to the field will undoubtedly strengthen our work to engage in critical conversations and expand the stories we tell,” says Anne Pasternak, director of the Brooklyn Museum.

Stephanie Sparling Williams has previously served as Associate Curator at the Mount Holyoke College Art Museum and as a visiting lecturer in art history and African American studies at Mount Holyoke College. In her curatorial roles, she has been responsible for several important acquisition initiatives, as well as innovative permanent collection shows and reinstallations. 

Kimberli Gant recently held the position of McKinnon Curator of Modern and Contemporary Art at the Chrysler Museum of Art in Norfolk, Virginia. Gant has extensive experience in the presentation of collection-based shows in addition to exhibiting emerging and established artists across the African diaspora. Her upcoming exhibition, Black Orpheus: Jacob Lawrence and the Mbari Club, opens in October 2022 at the Chrysler Museum, and then at the New Orleans Museum of Art and the Toledo Museum of Art.





Source link